Women of the Russian and Soviet avant-garde

The Charnel-House

Popova's Moscow studio, 1924 photographed by Alexander Rodchenko showing her maquette for The Magnanimous Cuckold (1922) Painterly Architectonics (1917)

On organizing anew

Liubov Popova
circa 1921
.

We have no need to conceal our pride that we are living in this new Great Epoch of great organizations.

Not a single historical moment will be repeated.

The past is for history. The present and the future are for organizing life, for organizing what is both creative will and creative exigency.

We are breaking with the past, because we cannot accept its hypotheses. We ourselves are creating our own hypotheses anew and only upon them, as in our inventions, can we build our new life and new worldview.

More than anyone else, the artist knows this intuitively and believes in it absolutely. That is exactly why artists, above all, undertook a revolution and have created — are still creating — a new worldview. Revolution in art has always predicted the breaking of the old public consciousness and the appearance of a…

Δείτε την αρχική δημοσίευση 456 επιπλέον λέξεις

Advertisements

Σχολιάστε

Εισάγετε τα παρακάτω στοιχεία ή επιλέξτε ένα εικονίδιο για να συνδεθείτε:

Λογότυπο WordPress.com

Σχολιάζετε χρησιμοποιώντας τον λογαριασμό WordPress.com. Αποσύνδεση / Αλλαγή )

Φωτογραφία Twitter

Σχολιάζετε χρησιμοποιώντας τον λογαριασμό Twitter. Αποσύνδεση / Αλλαγή )

Φωτογραφία Facebook

Σχολιάζετε χρησιμοποιώντας τον λογαριασμό Facebook. Αποσύνδεση / Αλλαγή )

Φωτογραφία Google+

Σχολιάζετε χρησιμοποιώντας τον λογαριασμό Google+. Αποσύνδεση / Αλλαγή )

Σύνδεση με %s